The conference will take place from Monday, May 10 to Thursday, May 13, 2021 in Hamburg, Germany.
The International Conference on Technologies for Music Notation and Representation is dedicated to issues in theoretical and applied research and development in Music Notation and Representation, with a strong focus on computer tools and applications, as well as a tight connection to music creation. “Technology” in the conference name refers to any mean that may contribute to the notation, representation and/or visualisation of the music and sound, for purposes that may include (but are not limited to) music composition, performance, representation, transcription, analysis and pedagogy.
The first edition of the conference – TENOR 2015 – was been held in Paris in May 2015, as the final outcome of a working group entitled The new Spaces of Music Notation. The other editions were held in Cambrigde (2016), A Coruña (2017), Montreal (2018) and Melbourne (2019).
For more information visit http://www.tenor-conference.org/
Registration, tickets & schedule.
The 6th international conference on technologies for music notation and representation will take place from Monday May 10 to Thursday May 13 and be hosted by Hamburg University of Music and Drama (HfMT). The conference will include a special emphasis on Notation and Representation in the Time of a Pandemic.
The program will include daily paper presentations, workshops and concerts by international artists and researchers. Keynote speakers at TENOR 2021 will be Thor Magnusson (10.05.), Michael Maierhof (11.05.), Carola Bauckholt (12.05.) and Alexander Schubert (13.05.). The artistic programme will include, among many others, music by Christian Klinkenberg, Cat Hope, Jonathan Bell, Lindsay Vickery and Sandeep Bhagwati. Ensembles and artists in residence will be SPIIC Ensemble, Blue Print Ensemble, So Wrong it’s Right Trombone Quartet and the Bohlen-Pierce-clarinetists Nora-Louise Müller and Ákos Hoffmann.
The last two days of the conference will overlap with Klingt gut! Symposium on Sonic Art and Spatial Audio — an interdisciplinary event at the intersection of art and technology hosted by the Hamburg University of Applied Sciences (HAW). Attendees will be able to get passes at a reduced rate should they wish to participate in both conferences. TENOR 2021 and Klingt gut! 2021 will share two round tables together. First on May 12 with Natasha Barrett as keynote speaker at Klingt gut! and guests Hyunkook Lee, Daniel Rudrich, Markus Noisternig, Heather Frasch and Thor Magnusson. The event will be hosted by Rama Gottfried. The second round table on May 13 will focus on the (artistic) research project KiSS – Kinetics in Sound & Space in collaboration by HAW Hamburg and HfMT Hamburg.
All events can be attended through Whova after registration (see link below). Keynotes and concerts only will be provided by HfMT Hamburg’s Youtube channel and public Zoom Links for free.
Registration, ticketing and pricing here
Please check for daily schedule here
10.05 Thor Magnusson
11.05 Michael Maierhof
12.05 Carola Bauckholt
13.05 Alexander Schubert
The last two days of the conference will overlap with the Klingt gut! Symposium—an interdisciplinary event at the intersection of art and technology hosted by the Hamburg University of Applied Sciences (HAW). Attendees will be able to get passes at a reduced rate should they wish to participate in both conferences.
Keynote speakers will include Alexander Schubert and Thor Magnusson.
In light of the ongoing pandemic, we remain committed to both safety and quality, and as such, we cannot yet say if the conference will be held in person, online, or a mixture of both. We also recognize that while the situation may improve in Hamburg to the point of being able to safely host an in-person event, global travel may not yet be possible in May of 2021. We intend to adapt to the circumstances, and are already in the process of devising a number of different possible manifestations of the conferences, so you can rest assured that the conference will happen, and that its talks, concerts, and workshops will be presented under the best conditions we can provide.
Submission Deadline: January 17, 2021
Start of review process: January 31, 2021
Notifications: 5th of March, 2021
Camera ready submissions: April 12, 2021
Early registration: February 1 – April 1, 2021
Conference Program ready: May 6, 2021
Call for Papers
We are now soliciting submissions for oral presentations as well as workshops and round-table discussions, with a special emphasis on the theme of Notation and Performance in the Time of a Pandemic. In addition to that theme, we encourageencouraging submissions examining core areas of Technologies for Music Notation and Representation, in particular:
● Real-time composition, improvisation and comprovisation
● History and aesthetics of notation
● Notation of microtonal and/or electronic music
● Performer perspectives on technologies around notation
● Notation for and in virtual environments
● New interfaces for music notation
● Digital games as notation
● Notation as an emergent property of the performance system
● Critical, aesthetic and sociological examinations of the interactions between new notation technologies and performance
● Notation/representation technologies for time-based arts beyond music including notations for space, gesture, movement
● Non-visual notation systems (aural, tactile, olfactory, etc.)
● Principles of mnemonic notation, exploring the relationship between memory and representation
We also welcome submissions on the following topics:
● Notation and representation of sonified data
● Computational musicology and mathematical music theory with a focus on music representation
● Computer environments for music notation
● Notation in interactive performance systems
● Notation and robotics
● Music information retrieval
● Notation and music representation in education
● Notation and neurocognition
Special theme: Notation and Performance in the Time of a Pandemic:
We are particularly interested in the ways in which research related to notation and performance responds to the extreme conditions that we currently find ourselves in. How might notational practices and platforms for collaborative music-making be mobilized during a period of forced isolation without emphasizing that which we lack: physical colocation? Are there questions that we, in this unique moment of our lives, are particularly well-situated to address? What will remain of the practices and works created during this period when, and if, we are able to return to “normal”?
About format, submission and acceptance
Papers should follow the formatting templates:
Papers must be submitted by January 17, 2021 via the TENOR conference system at https://easychair.org/conferences/?conf=tenor2021 and must comply with the given templates. The conference system will open on November 1, 2020. Upon acceptance, camera-ready versions should be re-submitted by April 12, 2021.
All accepted papers will be included in the conference proceedings which will be available on the conference website (https://tenor2021.hfmt-hamburg.de/) as an electronic publication. Please note that per paper at least one of the authors needs to register in order for the paper to be presented and included in the proceedings.
Sonic Works & Workshops